Alternate Universes and Modal Realism.
The Star Trek franchise is full of alternate universes, from different quantum realities (TNG: "Parallels") and the alternate reality seen in the Kelvin timeline (Star Trek, 2009) to the Mirror Universe seen in the Original Series, Star Trek: Deep Space Nine, and Star Trek: Discovery. In Star Trek, these alternate universes are just as real as the actual universe, a philosophical position known as "modal realism." In this episode of Meta Treks, hosts Zachary Fruhling and Mike Morrison debate modal realism, the reality of alternate universes, through the lens of the Star Trek universe and whether we should consider alternate realities or "possible worlds" to be as metaphysically real as our own actual universe.
Chapters
Intro (00:01:19)
Initial Thought on Modal Realism (00:04:04)
What Difference Does It Make? (00:08:45)
David Lewis and Counterfactuals (00:12:36)
Modal Concepts (00:17:43)
The Distinction and Contrast of the Mirror Universe in Star Trek (00:20:46)
Quantum Branching (00:29:50)
Gottfried Leibniz and "Best of All Possible Worlds" (00:34:28)
Is Modal Realism a Scientific Question or a Philosophical Question? (00:39:00)
The Space Between the Spaces (00:43:26)
Different Types of Possible Universes (00:45:20)
Criticisms of Modal Realism (00:57:13)
Diverging Universes (01:00:10)
Closing (01:05:03)
Hosts
Zachary Fruhling and Mike Morrison
Production
Mike Morrison (Editor) Zachary Fruhling (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Patrick Devlin (Associate Producer) Kay Shaw (Associate Producer) Mark Walker (Associate Producer) Norman C. Lao (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)
The Philosophy of Color in Star Trek.
Star Trek: The Original Series is a colorful show, known for its striking set decorations and bold costuming, from the orange highlights on the Enterprise bridge to the primary colors of the Original Series uniforms, including the uniforms of the infamous Redshirts. But what exactly does it mean for a uniform to be red? Is redness a physical property of the uniform itself, or is redness an aspect of subjective mental experience for whomever observes the uniform? Can the uniform's color be reduced to its more basic physical properties or the basic properties of light itself (frequency, wavelength, and so on), or is color a fundamental part of reality, unable to be reduced to other physical properties? And does the property of "redness" exist as an abstract entity (similar to numbers or other abstract objects), or does color exist only in particular form within individual colorful objects like individual red uniforms?
In this episode of Meta Treks, hosts Zachary Fruhling and Mike Morrison discuss the philosophy of color in the Star Trek universe. From the physics of light to the physiology of color perception, and from concrete examples to the ontology of abstract entities, Zachary and Mike examine why physics and physiology struggle to give a fully adequate account of the existence and nature of color.
Chapters
Intro (0001:20)
Is There a Philosophical Problem? (00:02:47)
Why Is the Red Shirt Red? (00:07:19)
Color Physicalism and the "Mystique" of Color Perception (00:18:19)
Abstract Entities (00:27:04)
A Red Shirt By Any Other Name (00:32:33)
The Inverted Spectrum Thought Experiment (00:35:18)
Color as an Emergent Property (00:44:20)
Color Primitivism (00:46:57)
Color Qualia (00:50:53)
Color Fictionalism (00:52:41)
Final Thoughts (01:00:52)
Closing (01:07:39)
Hosts
Zachary Fruhling and Mike Morrison
Production
Mike Morrison (Editor) Zachary Fruhling (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Patrick Devlin (Associate Producer) Kay Shaw (Associate Producer) Mark Walker (Associate Producer) Norman C. Lao (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)